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It may not have the glitz and glamour of the Isadoora Theatre of the past, but Di Maio likes it that way. For more information or to reserve tickets, call 920.495.5940.
One of the major conflicts of the play is Catherine's inability to convince Hal and her sister that she actually invented the proof in her father's notebook. But Catherine has a lot of other things on her plate.
She's dealing with grief, sibling rivalry, romantic tension, and the slow sinking feeling of losing one's mind.
His first book, (Johns Hopkins University Press, 2016), analyzes the relationship between automobile enthusiasts and salvage yards by examining the ways in which out-of-service or junked cars have been re-used, recycled, and re-purposed in the twentieth-century United States. Massachusetts Institute of Technology 50 (2009): 894–914.
Lucsko's research focuses on the history of the automobile (manufacturers and users, particularly enthusiasts).
Isadoora Theatre’s production of is directed by Richard Carlson and stars Dan Sallinen, Carrie Counihan, Keri Grimsley and Marcel Bruyere.
The play deals with the effect mental illness has on one’s family and work.
We often associate certain fields of work with specific genders, and math continues to be a male-dominated field.
In the play, Catherine’s abilities are doubted not only because of her education, but also because she is a woman (nevermind that she is the child of a genius mathematician and spent countless hours with her father in his final years).
When Catherine does converse with her father, these flashbacks reveal her often conflicting desires.
We learn that Catherine's academic goals are thwarted by her responsibilities to her ailing father.